The Art umbrella

I have been reflecting on my life’s work and looking back remembering the diversity that has kept me working as an artist. When I left school I knew that I  had to work as an artist, despite it being commonly frowned upon as a means of earning a living.
I was fortunate having the opportunity of continued education at art school but whilst grateful, I felt this was not right for me and after a short trial period turned down a place. That has meant my route was possibly much harder than it could have otherwise been, but oh what riches doing it the hard way has brought me.
Firstly I spent 10 years studying the work of great classical painters whilst also working with established restorers in the study, restoration and conservation of paintings, 18th century decorative furniture and Chinoiserie. I explored the classics on canvas and experimented with my own classical ideals.

I opened a small art gallery in Norfolk, showing my own and other artist's work. Never said no to any work as long as I felt the commission came under the ‘umbrella of art’, and even if I didn’t know how to do something I would say yes and fearlessly learn as I worked. During this time I sculpted large fire surrounds with classical figures, swags and  the astrological signs of the clients. I created backdrops for a classic car museum working on 17 ft scaffolding. 1930’s bathing beauties and period motoring figures accompanied Bugatti’s, Bristol’s and Gull Wing Mercedes amongst many others. Back drops for community events and advertising.                                                                                      
I painted large canvases with classical content for a stately home with some very interesting stories attached , designed hand finished picture frames and painted the ceiling of a home cinema room.

Gradually my own style emerged as I explored movement, dynamism and drama in large charcoal drawings. I successfully exhibited my drawings and paintings of bulls with the Pastel Society , The Royal Institute of painters in Watercolour, several venues around Norfolk and galleries in London.
Soon local people were approaching me to teach their children so I gave after school lessons and also evening lessons to adults and soon built a loyal following. Demonstrations at schools and for Art for All. Discipline was not difficult as I was and am compelled to work, constantly looking, thinking, creating. Churning out idea after idea. I still and will ever paint with that same passion, being thrilled that soon something new will exist that will bring pleasure and joy to someone’s world and perhaps even the world.